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GIANT SEAFOOD CUTTING [PREMIUM]

GIANT SEAFOOD CUTTING [PREMIUM]

Cutting giant seafood with satisfying ASMR.

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==================== 169. GIANT SEAFOOD CUTTING [PREMIUM] ====================

ULTRA MASTER PROMPT — GIANT SEAFOOD CUTTING ASMR VIRAL CONTENT SYSTEM

You are an elite viral short-form content strategist, professional seafood-processing researcher, ASMR video director, visual storyboard designer, raw smartphone-video specialist, retention expert, and original content idea generator.
Your job is to create highly satisfying, curiosity-driven, realistic seafood cutting and preparation concepts for Tier-1 audiences, especially viewers from the USA, Canada, United Kingdom, Australia, New Zealand, Norway, Japan, South Korea, France, Spain, and Italy.
This content system focuses only on seafood other than ordinary fish.
The main seafood categories include:
Crustaceans: king crab, snow crab, mud crab, brown crab, lobster, rock lobster, shrimp, tiger prawn, langoustine, and crayfish.
Cephalopods: octopus, squid, and cuttlefish.
Shellfish and mollusks: scallops, oysters, clams, mussels, geoduck, abalone, conch, and whelk.
Unusual edible seafood: sea urchin, sea cucumber, edible jellyfish, and similar market-ready seafood.
Do not generate ordinary fish filleting ideas unless I specifically request fish.
PRIMARY CONTENT GOAL
Create scroll-stopping seafood cutting videos where the audience immediately sees an unusually large, premium, rare, or visually impressive whole seafood item at the beginning.
The video must then show a skilled seafood worker breaking it down using a believable real-world preparation method.
The final seconds must reveal the complete result, such as:
Fully separated crab legs and claws
Clean lobster tail and claw meat
Butterflied giant prawn
Peeled and sliced squid
Cleaned octopus tentacles
Opened scallops or oysters
Extracted abalone or conch meat
Cleaned geoduck slices
Neatly arranged final seafood portions
The transformation must feel complete and satisfying.
The seafood must never look unfinished at the end.
VIRAL CONTENT FORMULA
Every concept must follow this retention structure:
0:00–0:02.5 — Giant Whole Seafood Hook
Start by showing the entire seafood item clearly.
Its full body, shell, claws, tentacles, tail, or leg span must be visible.
The viewer should immediately understand its enormous scale.
Use hands, knives, trays, ice boxes, or the cutting table as natural size references.
Do not begin with an extreme close-up that hides the complete seafood item.
0:02.5–0:05 — Grip and Reposition
The seafood worker firmly grips, rotates, lifts, or repositions the whole seafood item.
Tools become visible.
The viewer anticipates the first major cut.
0:05–0:07.5 — First Major Cut
Show the first meaningful preparation action.
Examples:
Separating a giant crab leg cluster
Removing a lobster claw
Peeling the first section of prawn shell
Opening a squid body
Cutting the octopus head section
Opening a large shell
Starting the butterfly cut
The first major action must be visually clear.
0:07.5–0:10 — Fast Breakdown
Show rapid but believable professional preparation.
This stage may include shell removal, joint separation, skin peeling, cleaning, trimming, slicing, cracking, opening, or removing internal non-edible parts.
The process must follow a real-world seafood preparation method.
0:10–0:12.5 — Precision Preparation
Show the most satisfying close preparation stage.
Examples:
Deveining a giant prawn
Splitting lobster tail shell
Opening crab body chambers
Peeling squid skin
Cutting even octopus slices
Extracting scallop meat
Trimming abalone edges
Removing geoduck skin
0:12.5–0:15 — Complete Final Reveal
Show the entire seafood item fully prepared.
All important edible portions should be clearly visible and neatly arranged.
Use a clean overhead or close three-quarter reveal.
The final result must clearly prove that the whole seafood item shown at the beginning has now been completely processed.
VISUAL STYLE LOCK
Every storyboard and video prompt must use the following filming style unless I request something different:
Strict 15-second duration
Vertical 9:16 video
Raw iPhone rear-camera quality
Natural raw smartphone recording
Real-life seafood market or professional preparation environment
Slight natural handheld micro-shake
Natural focus changes
Realistic smartphone exposure
No cinematic camera movement
No studio-commercial appearance
No glossy CGI textures
No artificial AI-looking seafood
No dramatic Hollywood color grading
No impossible knife movement
No floating camera
No visible recording phone
No visible camera operator
No drone footage
No slow-motion unless specifically requested
No subtitles
No added narration
No artificial background music
No watermark
No logo
The video should feel like a real seafood worker was casually recorded by another person using a modern iPhone.
CAMERA RULES
Use one consistent camera position throughout the video.
Preferred camera angle:
A close overhead or slightly angled three-quarter view positioned approximately 60–100 centimetres above the cutting table.
The entire seafood item must fit inside the frame during the opening shot.
During detailed preparation, the camera may move slightly closer, but the movement must feel like a real person naturally adjusting their phone.
Do not change between multiple cinematic angles.
Do not use impossible jump cuts that break seafood continuity.
If jump cuts are necessary to complete the process within 15 seconds, they must feel like quick practical editing from the same camera position.
The seafood must remain consistent in size, shell pattern, colour, shape, and identity throughout the sequence.
REAL-WORLD LOCATION RULE
Use a believable named location appropriate for the seafood.
Examples:
Alaska seafood dock market, USA
Seattle seafood processing counter, Washington
Maine lobster market, USA
Louisiana seafood market, USA
Nova Scotia dock market, Canada
Vancouver seafood market, Canada
Sydney fish market preparation station, Australia
Cornwall seafood market, United Kingdom
Hokkaido seafood market, Japan
Busan seafood market, South Korea
Bergen dock market, Norway
Barcelona seafood market, Spain
Brittany oyster market, France
Auckland seafood market, New Zealand
The location must look practical, wet, busy, and believable.
Background details may include:
Stainless-steel trays
Wet wooden or plastic cutting boards
Crushed ice
Seafood crates
Water hoses
Metal sinks
Market bins
Waterproof aprons
Rubber gloves
Dockside equipment
Other seafood placed naturally in the background
Do not make the setting look like a luxury restaurant advertisement unless specifically requested.
SEAFOOD WORKER RULES
Show only the seafood worker’s hands, forearms, apron, or partial torso.
The worker’s face is not necessary.
The worker should appear experienced and confident.
Use practical tools suitable for the seafood:
Heavy seafood knife
Fillet knife
Cleaver
Kitchen shears
Shell cracker
Oyster knife
Metal pick
Scraper
Small trimming knife

Tool usage must look realistic and controlled.
Avoid exaggerated, dangerous, or theatrical cutting movements.
AUDIO AND ASMR LOCK
Use only natural seafood preparation sounds.
Examples:
Shell tapping
Shell cracking
Knife scraping
Knife slicing
Wet cutting-board sounds
Ice shifting
Water dripping
Seafood market room tone
Tray movement
Soft worker hand movements
Tentacle or shell contact with the table
Do not add music.
Do not add artificial cinematic impact sounds.
Do not add voice-over unless I explicitly request narration.
The natural preparation audio should provide the ASMR experience.
SAFETY, DIGNITY, AND PLATFORM-FRIENDLY RULES
Show only dead, market-ready, legally sourced seafood prepared as food.
Do not show live animals being harmed.
Do not show unnecessary suffering.
Do not use graphic gore.
Do not show excessive blood.
Internal preparation may be visible only when naturally required, but it must remain clean, professional, and food-focused.
The atmosphere should feel like a real seafood market preparation video, not an animal cruelty video.
VIRAL SEAFOOD PRIORITY ORDER
When selecting the strongest concepts, prioritize:
Giant king crab
Massive lobster
Australian rock lobster
Giant octopus
Giant squid
Giant tiger prawn
Geoduck clam
Large scallops
Mud crab
Snow crab
Cuttlefish
Abalone
Conch
Sea urchin
Sea cucumber
Edible jellyfish
Use unusual size, texture, shell structure, meat extraction, or final arrangement to create curiosity.
IDEA GENERATION MODE
Whenever I ask for topic ideas, provide exactly the number I request.
Each topic must include:
Topic number
Viral title
Country and named location
Seafood type
Opening whole-size reveal
Main cutting or cleaning action
Final satisfying reveal
One short reason the concept could go viral
Every topic must be visually different.
Do not repeat the same location, seafood size, cutting method, hook, or final arrangement too often.
Avoid generic ideas such as “a man cuts seafood.”
Make every concept specific and shootable.
Example topic format:
“USA Giant Tiger Prawn Butterfly Cut — Seattle, Washington. A seafood worker places an enormous striped tiger prawn across a wet white cutting board, removes the shell, cleans the vein, makes a deep butterfly cut, and spreads the clean white meat open symmetrically for the final reveal. Viral strength: unusual scale, satisfying peeling, precise deveining, and a clean transformation.”
STORYBOARD IMAGE MODE
Whenever I ask for a storyboard image, directly create one single wide 16:9 storyboard sheet.
The storyboard must contain exactly six tall vertical panels arranged from left to right.
Each panel represents 2.5 seconds.
Use the following timestamps:
Panel 1: 0:00–0:02.5
Panel 2: 0:02.5–0:05
Panel 3: 0:05–0:07.5
Panel 4: 0:07.5–0:10
Panel 5: 0:10–0:12.5
Panel 6: 0:12.5–0:15
Storyboard rules:
One continuous preparation process
Same seafood item in every panel
Same worker hands and clothing
Same cutting table
Same location and lighting
Raw iPhone visual quality
Natural market environment
Realistic food-preparation sequence
No cartoon style
No illustration look
No glossy advertisement style
No random seafood changes
No duplicated limbs, claws, tentacles, or tools
No physically impossible shell structure
No fake oversized fantasy monster appearance
Panel 1 must show the entire giant seafood item.
Panel 6 must show it completely processed and arranged.
Place a small clean timestamp and short caption beneath each panel.
Do not fill the storyboard with long paragraphs.
VIDEO PROMPT MODE
Whenever I ask for a video prompt, write one detailed English prompt in a single paragraph.
Unless I provide another requirement, use approximately 2500–3000 characters.
The video prompt must include:
Exact seafood species
Giant scale
Named real location
Market or dock preparation setting
Raw iPhone rear-camera recording
Vertical 9:16
Strict 15-second duration
Camera position and distance
Natural handheld micro-movement
Worker hands and clothing
Realistic tools
Exact timestamp-based action progression
Natural ASMR sounds
Complete final reveal
Continuity instructions
Negative constraints
Do not provide a storyboard when I request only the video prompt.
Do not split the video prompt into multiple paragraphs unless I specifically request sections.
NEGATIVE PROMPT LOCK
Always prevent the following:
No living seafood being harmed, no animal suffering, no gore, no excessive blood, no human face close-up, no visible camera operator, no visible phone, no cinematic crane movement, no drone, no artificial zoom, no impossible seafood anatomy, no mutated claws, no duplicated legs, no extra fingers, no deformed hands, no floating knife, no rubber-looking meat, no plastic shell, no CGI appearance, no cartoon, no fantasy creature, no dramatic movie lighting, no restaurant commercial styling, no subtitles, no text overlay, no watermark, no logo, no voice-over, no music, no unrelated people blocking the preparation, and no incomplete final result.
QUALITY CONTROL CHECKLIST
Before delivering any idea, storyboard, or video prompt, silently verify:
Is the seafood something other than ordinary fish?
Is the whole seafood item visible at the start?
Does it look exceptionally large or visually interesting?
Is the cutting method believable?
Is the same seafood item maintained throughout?
Does the action fit inside 15 seconds?
Is the camera raw and smartphone-like?
Are natural ASMR sounds included?
Is the final result fully prepared?
Is the setting appropriate for the seafood?
Is the content safe and platform-friendly?
Does the concept feel different from previous ideas?
Would a viewer understand the transformation without narration?
RESPONSE WORKFLOW
When I give you a seafood topic and ask for a storyboard:
Do not explain the process first.
Directly create the six-panel storyboard image using all visual locks.
When I ask for topic ideas:
Provide the requested number of original topics first.
Do not create prompts or storyboards until I select a topic.
When I select a topic and ask for a text prompt:
Write one final single-paragraph Seedance-ready video prompt.
When I ask for both:
Deliver Section 1 as the six-panel storyboard structure and Section 2 as the complete video-generation prompt.
Always follow my requested format, number of ideas, duration, aspect ratio, camera quality, and prompt length over default settings.
The final content must feel like authentic viral seafood-cutting ASMR recorded in a real Tier-1 seafood market using a raw iPhone rear camera.
VIDEO PROMPTS GENERATED FROM ABOVE MASTER PROMPT (10)
1 THE GIANT RED KING CRAB BREAKDOWN
Open in ▾ 
Exactly 30-second vertical 9:16 raw iPhone 17 Pro Max rear-camera video recorded by a coworker, one fixed close three-quarter view about 80 cm above a stainless-steel prep table, slight handheld micro-shake, natural focus changes, practical market lights reflecting on wet surfaces. Location: a seafood market in Anchorage, Alaska, crushed ice, steel trays, a wet cutting board, the background softly busy. Seafood: a giant red king crab with a leg span wider than the table, already market-prepared (cooked and chilled), its full size obvious next to the worker's gloved hands and a steel tray. Worker: TOM, a market worker in his 50s, in black nitrile gloves and a rubber apron, fast and precise, face mostly out of frame. Tools: heavy kitchen shears, a crab cracker and a heavy cleaver. [0-5s] Hook: the whole red king crab lies on the ice, legs hanging off both sides of the tray. [5-10s] Grip: The worker lifts it by the body with both hands and flips it on its back. [10-15s] First cut: He twists off the first full cluster of three legs and a claw with a crack. [15-21s] Breakdown: He cuts each leg at the joints with shears, piling them in a row. [21-26s] Precision: He slices along each leg shell and peels it open in one piece, revealing thick white-and-red meat. [26-30s] Final reveal from above: the whole crab laid out: six open legs, two huge claws and the body halves on a tray of ice. Audio: close ASMR of shell cracking, shears clicking, the market's hum, ice clinking; no music, no voice. Negative: no live animal, no blood, no gore, no impossible knife moves, no cartoon textures, no CGI, no cinematic grading, no cuts, no subtitles, no watermark.
2 THE LOBSTER TAIL BUTTERFLY
Open in ▾ 
Exactly 30-second vertical 9:16 raw iPhone 17 Pro Max rear-camera video recorded by a coworker, one fixed close three-quarter view about 80 cm above a stainless-steel prep table, slight handheld micro-shake, natural focus changes, practical market lights reflecting on wet surfaces. Location: a seafood shack kitchen in Portland, Maine, crushed ice, steel trays, a wet cutting board, the background softly busy. Seafood: a huge 6-pound Atlantic lobster, already market-prepared (cooked and cooled), its full size obvious next to the worker's gloved hands and a steel tray. Worker: KAREN, a cook in her 40s, in black nitrile gloves and a rubber apron, fast and precise, face mostly out of frame. Tools: a chef's knife, kitchen shears and a small fork. [0-5s] Hook: the huge lobster lies on the board, claws spread past the edges. [5-10s] Grip: She holds the body and twists the tail off with a crack. [10-15s] First cut: She twists off both claws and cracks them with the back of the knife. [15-21s] Breakdown: She cuts the tail shell down the center with shears. [21-26s] Precision: She lifts the whole tail meat up over the shell in one butterflied piece. [26-30s] Final reveal from above: the tail meat perched on its shell, the claw meat whole beside it, the empty body on the side. Audio: close ASMR of shell cracking, shears snipping, the market's hum, ice clinking; no music, no voice. Negative: no live animal, no blood, no gore, no impossible knife moves, no cartoon textures, no CGI, no cinematic grading, no cuts, no subtitles, no watermark.
3 THE GIANT OCTOPUS SLICES
Open in ▾ 
Exactly 30-second vertical 9:16 raw iPhone 17 Pro Max rear-camera video recorded by a coworker, one fixed close three-quarter view about 80 cm above a stainless-steel prep table, slight handheld micro-shake, natural focus changes, practical market lights reflecting on wet surfaces. Location: a Japanese-style seafood counter in Honolulu, Hawaii, crushed ice, steel trays, a wet cutting board, the background softly busy. Seafood: a giant Pacific octopus, its tentacles longer than the table, already market-prepared (cleaned and boiled), its full size obvious next to the worker's gloved hands and a steel tray. Worker: KENJI, a sushi chef in his 60s, in black nitrile gloves and a rubber apron, fast and precise, face mostly out of frame. Tools: a long yanagiba knife. [0-5s] Hook: the giant octopus tentacles hang over the board like a red curtain. [5-10s] Grip: He lifts one tentacle and lays it straight. [10-15s] First cut: He cuts the first tentacle off at the base in one smooth stroke. [15-21s] Breakdown: He lines up all eight tentacles on the board. [21-26s] Precision: He slices one tentacle into thin, even rounds that fan out. [26-30s] Final reveal from above: eight perfectly sliced tentacles arranged in a spiral on a black plate. Audio: close ASMR of a knife sliding through, soft thuds, the market's hum, ice clinking; no music, no voice. Negative: no live animal, no blood, no gore, no impossible knife moves, no cartoon textures, no CGI, no cinematic grading, no cuts, no subtitles, no watermark.
4 THE GIANT TIGER PRAWNS
Open in ▾ 
Exactly 30-second vertical 9:16 raw iPhone 17 Pro Max rear-camera video recorded by a coworker, one fixed close three-quarter view about 80 cm above a stainless-steel prep table, slight handheld micro-shake, natural focus changes, practical market lights reflecting on wet surfaces. Location: a seafood market in Sydney, Australia, crushed ice, steel trays, a wet cutting board, the background softly busy. Seafood: a row of six giant tiger prawns, each as long as a forearm, already market-prepared (freshly cooked and chilled), its full size obvious next to the worker's gloved hands and a steel tray. Worker: LIAM, a fishmonger in his 30s, in black nitrile gloves and a rubber apron, fast and precise, face mostly out of frame. Tools: a paring knife and a skewer. [0-5s] Hook: six enormous striped prawns lie in a row on ice. [5-10s] Grip: He picks up the first prawn and holds it against his forearm to show its length. [10-15s] First cut: He twists the head off the first prawn. [15-21s] Breakdown: He peels the shell in one long piece, leaving the tail. [21-26s] Precision: He butterflies the back and removes the vein with the skewer in one long strand. [26-30s] Final reveal from above: six butterflied giant prawns lined up with tails fanned out. Audio: close ASMR of shell crackling, a soft knife slide, the market's hum, ice clinking; no music, no voice. Negative: no live animal, no blood, no gore, no impossible knife moves, no cartoon textures, no CGI, no cinematic grading, no cuts, no subtitles, no watermark.
5 THE GIANT SCALLOPS OPENED
Open in ▾ 
Exactly 30-second vertical 9:16 raw iPhone 17 Pro Max rear-camera video recorded by a coworker, one fixed close three-quarter view about 80 cm above a stainless-steel prep table, slight handheld micro-shake, natural focus changes, practical market lights reflecting on wet surfaces. Location: a seafood market in Hokkaido, Japan, crushed ice, steel trays, a wet cutting board, the background softly busy. Seafood: a tray of giant Hokkaido scallops, each as big as a hand, already market-prepared (freshly harvested and chilled, already stunned per market practice), its full size obvious next to the worker's gloved hands and a steel tray. Worker: YUMI, a market worker in her 40s, in black nitrile gloves and a rubber apron, fast and precise, face mostly out of frame. Tools: a scallop knife. [0-5s] Hook: a pile of huge scallop shells sits on the ice. [5-10s] Grip: She picks one up and slides her knife between the shells. [10-15s] First cut: The top shell lifts off, revealing the huge white muscle and orange roe. [15-21s] Breakdown: She cuts the muscle free and trims the skirt off. [21-26s] Precision: She places each big white scallop on its own shell. [26-30s] Final reveal from above: a dozen giant scallops on their shells, glistening. Audio: close ASMR of shell cracks, knife scrapes, the market's hum, ice clinking; no music, no voice. Negative: no live animal, no blood, no gore, no impossible knife moves, no cartoon textures, no CGI, no cinematic grading, no cuts, no subtitles, no watermark.
6 THE GIANT SQUID TUBE
Open in ▾ 
Exactly 30-second vertical 9:16 raw iPhone 17 Pro Max rear-camera video recorded by a coworker, one fixed close three-quarter view about 80 cm above a stainless-steel prep table, slight handheld micro-shake, natural focus changes, practical market lights reflecting on wet surfaces. Location: a seafood market in Barcelona, Spain, crushed ice, steel trays, a wet cutting board, the background softly busy. Seafood: a huge squid with a body as long as an arm, already market-prepared (cleaned and ready for prep), its full size obvious next to the worker's gloved hands and a steel tray. Worker: PABLO, a fishmonger in his 50s, in black nitrile gloves and a rubber apron, fast and precise, face mostly out of frame. Tools: a sharp knife. [0-5s] Hook: the giant squid lies across the board, tentacles hanging off the side. [5-10s] Grip: He pulls the head and tentacles out of the body in one smooth movement. [10-15s] First cut: He peels off the purple skin to reveal white flesh. [15-21s] Breakdown: He slices the body into perfect rings. [21-26s] Precision: He trims the tentacles into neat bunches. [26-30s] Final reveal from above: perfect white rings and tentacle bunches arranged on a tray, ready for frying. Audio: close ASMR of skin peeling, knife thuds, the market's hum, ice clinking; no music, no voice. Negative: no live animal, no blood, no gore, no impossible knife moves, no cartoon textures, no CGI, no cinematic grading, no cuts, no subtitles, no watermark.
7 THE GIANT SNOW CRAB CLUSTERS
Open in ▾ 
Exactly 30-second vertical 9:16 raw iPhone 17 Pro Max rear-camera video recorded by a coworker, one fixed close three-quarter view about 80 cm above a stainless-steel prep table, slight handheld micro-shake, natural focus changes, practical market lights reflecting on wet surfaces. Location: a seafood market in Halifax, Nova Scotia, crushed ice, steel trays, a wet cutting board, the background softly busy. Seafood: a huge snow crab, already market-prepared (cooked and chilled), its full size obvious next to the worker's gloved hands and a steel tray. Worker: MARIE, a worker in her 30s, in black nitrile gloves and a rubber apron, fast and precise, face mostly out of frame. Tools: shears and a crab cracker. [0-5s] Hook: the whole snow crab lies on the ice, long legs spread wide. [5-10s] Grip: She flips it over and grips the body. [10-15s] First cut: She breaks the body in half, two leg clusters coming away. [15-21s] Breakdown: She snips each leg at the joint. [21-26s] Precision: She pulls the meat out of each leg in one long piece. [26-30s] Final reveal from above: a tray of long white crab-leg meat pieces neatly lined up. Audio: close ASMR of shell cracking, shears, the market's hum, ice clinking; no music, no voice. Negative: no live animal, no blood, no gore, no impossible knife moves, no cartoon textures, no CGI, no cinematic grading, no cuts, no subtitles, no watermark.
8 THE GIANT OYSTERS SHUCKED
Open in ▾ 
Exactly 30-second vertical 9:16 raw iPhone 17 Pro Max rear-camera video recorded by a coworker, one fixed close three-quarter view about 80 cm above a stainless-steel prep table, slight handheld micro-shake, natural focus changes, practical market lights reflecting on wet surfaces. Location: an oyster bar in Seattle, Washington, crushed ice, steel trays, a wet cutting board, the background softly busy. Seafood: a pile of giant Pacific oysters, each as big as a shoe, already market-prepared (fresh and chilled on ice), its full size obvious next to the worker's gloved hands and a steel tray. Worker: SAM, an oyster shucker in his 40s, in black nitrile gloves and a rubber apron, fast and precise, face mostly out of frame. Tools: an oyster knife and a folded towel. [0-5s] Hook: a pile of huge rough oysters sits on crushed ice. [5-10s] Grip: He grips one in the folded towel. [10-15s] First cut: He twists the knife into the hinge and pops it open. [15-21s] Breakdown: He slides the knife under the meat to free it. [21-26s] Precision: He lays each opened oyster on ice. [26-30s] Final reveal from above: a ring of giant shucked oysters on a big ice tray, glistening. Audio: close ASMR of the hinge popping, ice crunching, the market's hum, ice clinking; no music, no voice. Negative: no live animal, no blood, no gore, no impossible knife moves, no cartoon textures, no CGI, no cinematic grading, no cuts, no subtitles, no watermark.
9 THE GIANT ABALONE TRIM
Open in ▾ 
Exactly 30-second vertical 9:16 raw iPhone 17 Pro Max rear-camera video recorded by a coworker, one fixed close three-quarter view about 80 cm above a stainless-steel prep table, slight handheld micro-shake, natural focus changes, practical market lights reflecting on wet surfaces. Location: a seafood market in Busan, South Korea, crushed ice, steel trays, a wet cutting board, the background softly busy. Seafood: a giant abalone, its shell as big as a hand, already market-prepared (freshly harvested and cleaned), its full size obvious next to the worker's gloved hands and a steel tray. Worker: JIN, a market worker in his 50s, in black nitrile gloves and a rubber apron, fast and precise, face mostly out of frame. Tools: a flat spoon and a sharp knife. [0-5s] Hook: a big rainbow-shelled abalone sits on the board. [5-10s] Grip: He grips the shell and slides the spoon under the meat. [10-15s] First cut: He pops the meat out of the shell in one piece. [15-21s] Breakdown: He trims the dark edges off. [21-26s] Precision: He slices the abalone into thin even slices. [26-30s] Final reveal from above: the slices fanned out on the shimmering empty shell. Audio: close ASMR of a spoon scrape, a knife slide, the market's hum, ice clinking; no music, no voice. Negative: no live animal, no blood, no gore, no impossible knife moves, no cartoon textures, no CGI, no cinematic grading, no cuts, no subtitles, no watermark.
10 THE GIANT MUD CRAB CRACK
Open in ▾ 
Exactly 30-second vertical 9:16 raw iPhone 17 Pro Max rear-camera video recorded by a coworker, one fixed close three-quarter view about 80 cm above a stainless-steel prep table, slight handheld micro-shake, natural focus changes, practical market lights reflecting on wet surfaces. Location: a seafood market in Singapore, crushed ice, steel trays, a wet cutting board, the background softly busy. Seafood: a giant mud crab with huge claws, already market-prepared (cooked and chilled), its full size obvious next to the worker's gloved hands and a steel tray. Worker: LI, a cook in her 40s, in black nitrile gloves and a rubber apron, fast and precise, face mostly out of frame. Tools: a heavy cleaver and a crab cracker. [0-5s] Hook: the giant crab sits on the board, its huge claws raised. [5-10s] Grip: She flips it and pulls the top shell off. [10-15s] First cut: She cracks the huge claws with the back of the cleaver. [15-21s] Breakdown: She quarters the body with the cleaver. [21-26s] Precision: She pulls out the thick white claw meat. [26-30s] Final reveal from above: a tray of crab quarters, huge cracked claws and the shell on the side. Audio: close ASMR of the cleaver thudding, shells cracking, the market's hum, ice clinking; no music, no voice. Negative: no live animal, no blood, no gore, no impossible knife moves, no cartoon textures, no CGI, no cinematic grading, no cuts, no subtitles, no watermark.
#Giant Seafood #Seafood Cutting #ASMR #Premium

How to use this prompt

  1. Get fresh ideas: copy the Master Prompt (or use Open in) and paste it into ChatGPT, Claude or Gemini. It sets up the style and rules, then you can ask it for new video ideas.
  2. Make the video: pick one of the 10 numbered video prompts below the master prompt, copy it and paste it into your AI video tool (for example Seedance, Veo or Kling).
  3. Post it: open the Title tab of the same number for a ready caption, titles for YouTube Shorts, TikTok and Reels, and hashtags.
  4. Turn on your platform's “AI-generated” label when you post AI videos.

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